In both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere. Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote-or even inaccessible-from their own. Miller offers a timely response to questions such as: How does contemporary art's politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically? Discussing a wide range of works of art and popular culture-from Antigone to Do the Right Thing and The Wire-this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art's capacity to effect social change.

The sexual act is possibly the most potent--and pleasurable--gateway to the primordial and the divine. From the Tantric mysteries of Hinduism and Buddhism and the inner alchemy of Taoism, to the sacrament of the bridal chamber in Christianity--and, of course, the traditions of Western Magic and Witchcraft--sex pervades the highest and most secret teachings all over the world.
In "Sex, Sorcery, and Spirit," Jason Miller draws upon his training in Eastern and Western mystery schools to produce a frank, comprehensive exploration of sexual sorcery and spirituality. In clear language, he will show you how to take your magic to the next level, teaching you:
How to use the moment of orgasm as a gateway to the highest levels of spiritual attainment.
The use of sexual elixirs in alchemy and practical sorcery.
How to work with sexual spirits and gods.
The dangers of sex magic and how to avoid them.
A grimoire of sexual spells and rituals.
This daring and tantalizing work throws open the doors into the realms of sexual magic that have been hidden behind secret orders and arcane terminology for far too long--until now.

This life-changing book goes far beyond simple money magic. This is a tome of true financial sorcery that will teach you to blend magical and mundane actions to ensure success no matter what life throws at you.

In both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere. Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote-or even inaccessible-from their own. Miller offers a timely response to questions such as: How does contemporary art's politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically? Discussing a wide range of works of art and popular culture-from Antigone to Do the Right Thing and The Wire-this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art's capacity to effect social change.